An iconic approach to communicating musical concepts in interstellar messages

Abstract

Some characteristics of terrestrial music may be meaningful to extraterrestrial civilizations by virtue of the connection between acoustics and mathematics—both of which might be known by technologically advanced extraterrestrial intelligence. For example, a fundamental characteristic of terrestrial polyphonic music is found the number of tones used various scales, insofar as the number of tones represents a compromise between competing musical demands; the number of tones in a scale, however, also reflects some of the perceptual characteristics of the species developing that music. Thus, in the process of communicating something about the structure of terrestrial music through interstellar messages, additional information about human perceptual and cognitive processes can also be conveyed. This paper also discusses methods for sending signals that bear information through the form of the very frequencies in which the signals are transmitted. If the challenges of creating intelligible messages are greater than often thought, the advantage of reduced conventionality of encoding the message by using an iconic format of this sort may be of significant value. Such an approach would allow the incremental introduction of musical concepts, somewhat akin to the step-by-step tutorials in mathematics and logic that form the basis of Freudenthal's Lincos.