Abstract
With the advent of economic globalization leading to cultural globalization, countries are integrating and innovating their indigenous cultures while absorbing and borrowing from the film cultures of other nations. Chinese and Korean New Youth Films employ a multi-genre narrative mode combining "youth" with realism. This paper conducts a comparative study of Chinese new youth film Better Days and the Korean new youth film Next Sohee, exploring the influence of global cultural perspectives on Chinese and Korean New Youth Films from the perspective of death narratives, the realistic application of death narratives in Chinese and Korean New Youth Films, as well as the differentiated narrative strategies of Chinese and Korean New Youth Films. This study further extends to the real significance and value of death imagery in youth films.
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