Abstract
Architecture and its influences on our daily life form the premise of the study. Every space has a character which is defined by the type of human engagement it solicits. Spaces have varying characters and the suitability of their use depends on whether they are experienced as enchanting or disenchanting. Hermeneutic phenomenology, which emphasise the importance of context when the experience of a phenomenon is considered, guides the investigation. Since the 1970’s various architects have absorbed the hermeneutic phenomenology into their writings and work. Those referred to during the course of this paper include Christian Norberg-Schultz, Steven Holl, Peter Zumthor, Ziona Strelitz, Nabeel Hamdi and Juhani Pallasmaa.Christian Norberg-Schultz translated hermeneutic phenomenology into architecture in his theory defining the Sense of Place. This theory delineates that there are two spatial qualities influencing the experience of an environment, namely, ‘space’ and ‘character’. These qualities are interdependent and are therefore explored independently prior to their exploration as a singular whole. An interdependent eco-system defining the relationship between the Context, User and Built Fabric is proposed within this paper. Observation and in-depth knowledge in all three areas is required for the creation of enchanted environments. If this system falls out of equilibrium, disenchanted environments develop. Enchanting environments engage their users and benefit the community and individuals alike. Disenchanted environments do not support their users, rendering their experience of architecture sombre and austere. The necessity of experiencing the world as a place, and not as a space, is a central theme throughout the paper.
Highlights
De KlerkThis paper aims to determine the qualities which define both enchanting and disenchanting environments
Architecture and its influences on our daily life form the premise of the study
This paper will refer to their reflections during the articulation of the investigation, namely, Christian Norberg-Schultz, Steven Holl, Peter Zumthor, Ziona Strelitz, Nabeel Hamdi and Juhani Pallasmaa
Summary
This paper aims to determine the qualities which define both enchanting and disenchanting environments. The paper follows a hermeneutic phenomenological approach, which was originally developed by Heidegger and was later translated into architecture by Christian Norberg-Schultz This approach offers an interpretive theoretical exploration of the character of spaces within their context, offering the reader an understanding of architectural concepts. This view was developed in his epoch theory and mainly revolved around the importance of the experience of the object in isolation Architectural theory employs this branch of phenomenology within its research and design approaches (Merleau-Ponty, 1996) and is based on the removal of a phenomenon from its context for the purpose of considering its character. He argued that we experience phenomenon in-theworld, and that the descriptive philosophy of hermeneutic phenomenology was inadequate for a homogeneous interpretation of the comprehensive experience This secondary branch of classical phenomenology is generally absorbed within the linguistic, social and architectural realms and will guide this paper in its exploration of enchanted and disenchanted environments. This paper will refer to their reflections during the articulation of the investigation, namely, Christian Norberg-Schultz, Steven Holl, Peter Zumthor, Ziona Strelitz, Nabeel Hamdi and Juhani Pallasmaa
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