An Explanation on the Manufacture System of Safavid Textiles (Artists, Craftsmen, Production Centers)

Abstract

One of the most significant artistic activities in Iran is the production of textiles, which flourished during the Safavid period. This art, like other arts, was influenced by many factors including the policies of the rulers and monarchs. Innovation and development in the production of textiles is one of the characteristics of this period that the course of its production and prosperity in Iranian society and art should be examined. Studying and inspecting the different angles of the Safavid textile production system has an important role in recognizing the status of this industry in rejecting this historical period. The present research is accomplished qualitatively (descriptive-analytical). The theoretical framework of the research is based on the approach of Howard Becker's art worlds. The research findings show that the social formation of Safavid Iran was based on providing services (political, social) and prominent designers and weavers worked in workshops that were directly supported by courtiers. Economic and political stability and the constant support of courtiers aided the textile production system to introduce a new generation of artists and textile designers to create eye-catching textiles at this time due to incentive systems and financial rewards.Research aims:Recognition of the artistic image and the guild system of designers and weavers in creating textile productions in Safavid art.Examining the factors of production in introducing Safavid court textiles as works of art.Research questions:Were the textiles of the Safavid era considered as a work of art?What are the factors that contribute to the Safavid textile production system?