An Experimental Study of Internal Interval Standards in Javanese and Western Musicians

Abstract

Six Javanese and six Western musicians performed a magnitude-estimation task using 36 melodic intervals ranging from 60 to 760 cents at 20-cent increments. Several musicians displayed well-defined regions of confusion in which a range of intervals was assigned approximately equal magnitude estimates. The results suggest that these listeners assimilate the intervals to a set of internal interval standards. No evidence for assimilation was found for other musicians in both groups, some of whom made highly accurate estimates. For the Javanese musicians who showed assimilation to internal interval standards, the regions corresponded to the two Javanese tuning systems, slendro and pelog. For the Western musicians, the regions corresponded to the equal-tempered scale. The relatively wider regions of confusion for the Javanese musicians may reflect the greater variability of intonation in Java. In addition, the Javanese musicians seemed able to choose between internal interval standards based on the two tuning systems.