Abstract

Emotional singing can affect vocal performance and the audience’s engagement. Chinese universities use traditional training techniques for teaching theoretical and applied knowledge. Self-imagination is the predominant training method for emotional singing. Recently, virtual reality (VR) technologies have been applied in several fields for training purposes. In this empirical comparative study, a VR training task was implemented to elicit emotions from singers and further assist them with improving their emotional singing performance. The VR training method was compared against the traditional self-imagination method. By conducting a two-stage experiment, the two methods were compared in terms of emotions’ elicitation and emotional singing performance. In the first stage, electroencephalographic (EEG) data were collected from the subjects. In the second stage, self-rating reports and third-party teachers’ evaluations were collected. The EEG data were analyzed by adopting the max-relevance and min-redundancy algorithm for feature selection and the support vector machine (SVM) for emotion recognition. Based on the results of EEG emotion classification and subjective scale, VR can better elicit the positive, neutral, and negative emotional states from the singers than not using this technology (i.e., self-imagination). Furthermore, due to the improvement of emotional activation, VR brings the improvement of singing performance. The VR hence appears to be an effective approach that may improve and complement the available vocal music teaching methods.

Highlights

  • The generation of human emotion has a certain regularity that reflects the degree of experience and cognitive relationship between objectivity and subjectivity (Xi, 2010)

  • In the case of negative emotion, participants reported lower evaluations of virtual reality (VR) training (M = 3.00) than selfimagination (M = 4.69), p < 0.01, 95%CI [1.02, 2.35], Hedges’s g = 1.27 for pleasure; higher evaluations of VR training (M = 7.00) than self-imagination (M = 5.56), p < 0.01, 95%CI [0.85, 2.02], Hedges’s g = 1.03 for activation; lower evaluations of VR training (M = 4.63) than self-imagination (M = 6.06), p < 0.01, 95%CI [0.61, 2.26], Hedges’s g = 0.89 for dominance

  • We argue the VR training method can be seen as an effective approach that will improve and complement the available vocal music teaching methods

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Summary

Introduction

The generation of human emotion has a certain regularity that reflects the degree of experience and cognitive relationship between objectivity and subjectivity (Xi, 2010). The singing activities of singers are the expression of their inner psychology. These activities are inseparable from important psychological factors such as feeling, perception, consciousness, will, memory, imagination, emotion, and thinking (Mu, 2011). Singers need to pay attention to their emotional expression, truly integrate their thoughts and feelings with the song, and give life and soul to the song (Shi, 2002). In the process of learning vocal music, students need to master the vocalization skills, and need to actively invest in emotions, effectively express the inner emotions of musical works, and give them vitality and appeal

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