An ecological approach to self-reflections on the inaccessibility of arts and cultural activities to wheelchair users

Abstract

First, as a fan of live music and a power wheelchair user living with congenital muscular dystrophy, I use critical storytelling to describe my personal experiences of negotiating for accessibility during participation in arts and cultural activities. Second, I reflect broadly on the ableist ideologies that contribute to the inaccessibility of arts and cultural activities, focusing on the narrow scope of target participants, the ableist rationale for accessibility service provision, the inaccessibility of promotional materials and ticketing, segregated seating arrangements, venue inaccessibility, and single-modal performance. Third, I highlight the detrimental impact of the inaccessibility of arts and cultural activities at the organizational, social, intergroup, interpersonal, and individual levels. Finally, I propose future research directions and suggestions for inclusive practice in arts and cultural activities. This paper aims to promote self-empowerment, unravel the manifestations of ableism in arts and cultural activities, and stimulate readers’ critical reflection on in/accessibility of arts and cultural activities.