Abstract
Tracks by Louise Erdrich is a novel dealing with the struggles of Native Americansat the beginning of the twentieth century, but within that broader frame—it alsospeaks out about the connection between the colonial oppression of nature and thesubjugation of women. Although some ecocritical and ecofeminist readings of thenovel, especially relating to Fleur Pillager, are available, not much has been writtenon the character of Lulu Nanapush as presented in Tracks. Therefore, this articleanalyses Fleur Pillager and Lulu Nanapush to discover how the tenets of ecofeminismare implemented in the novel. The research relies on the theories of differentecofeminist and postcolonial authors. After establishing the colonial background ofconjoined oppression of women and nature, the article focuses on how Fleur embodiesand protects nature, while Lulu begins to lose her connection to nature dueto her colonial background. Thus, strategic essentialism of the kind could be understoodas having been implemented with the aim of underlining the exploitation ofNative American women by settler colonizers, as well as the eradication of nature.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.