Abstract
To investigate possible auditory factors in the perception of stops and glides (e.g., /b/ vs /w/), a two-category labeling performance was compared on several series of /ba/-/wa/ stimuli and on corresponding nonspeech stimulus series that modeled the first-formant trajectories and amplitude rise times of the speech items. In most respects, performance on the speech and nonspeech stimuli was closely parallel. Transition duration proved to be an effective cue for both the stop/glide distinction and the nonspeech distinction between abrupt and gradual onsets, and the category boundaries along the transition-duration dimension did not differ significantly in the two cases. When the stop/glide distinction was signaled by variation in transition duration, there was a reliable stimulus-length effect: A longer vowel shifted the category boundary toward greater transition durations. A similar effect was observed for the corresponding nonspeech stimuli. Variation in rise time had only a small effect in signaling both the stop/glide distinction and the nonspeech distinction between abrupt and gradual onsets. There was, however, one discrepancy between the speech and nonspeech performance. When the stop/glide distinction was cued by rise-time variation, there was a stimulus-length effect, but no such effect occurred for the corresponding nonspeech stimuli. On balance, the results suggest that there are significant auditory commonalities between the perception of stops and glides and the perception of acoustically analogous nonspeech stimuli.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.