Abstract

ABSTRACT Habib Syech bin Abdul Qodir Assegaf, a well-known Arab Indonesian singing preacher, transposed to Malaysia a model of performing selawat (praise songs) in Islamic mass concerts that captured public spaces in Indonesia. By ‘capture’, this article suggests both the sanctification of a physical space and the promotion of a heightened Islamic religiosity within that space. In 2014, Habib Syech performed in a mass concert held in Putrajaya, the administrative capital of Malaysia. This article explores this concert as a form of religious mediation that was facilitated by the transposition to Malaysia of the highly visible public role of descendants of the Prophet in Indonesia as well as Malaysia’s political leadership and state agencies. The concert had two historic outcomes. First, it heightened the status of descendants of the Prophet in Malaysia before a massive audience gathered at the location and others watching the live broadcast in distant places. Second, it captured Putrajaya through a mix of selawat, enchantment, charismatic performance, and prayer.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.