Abstract

Problem statement: This study generated from the process of production of silk cloths as the Isan (northeast Thailand) identity with complic ated production stages. It takes a long time with l ow compensations and it is unworthy of investment. Isa n people of a new generation have gone to be hired to do other kinds of work. They are not interested in adhering to Isan silk cloth weaving culture. The study purposed were to examine the background of indigenous knowledge concerning Isan silk-cloth identity production and applying the indigenous kno wledge to conservation and development of the production process. Approach: The study was conducted in Isan in these 3 Changwat: The Saket silk- cloth weaving group at Ban Po Phan, Mu 6, Amphoe Mueang, Changwat Roi Et; the Phrae wa silk- cloth weaving group at Ban Phon, Amphoe Kham Muang, Changwat Kalasin and the Yok Thong Phan Takro silk-cloth weaving group at Ban Tha Sawang, Amphoe Mueang, Changwat Surin. Changwat Roi Et, Changwat Kalasin and Changwat Surin. The qualitative research methodology was used. Data were collected from documents and related literature and from field studies by means of interviews and focus group discussion from a group of 90 informant s. The collected data were checked using the triangulation technique. The study findings were pr esented by means of a descriptive analysis. Results: The background of Isan silk-cloth identity product ion, it was found that there was the identity of each specific group, indicating the ethnic group . They had different production processes generated from the use of indigenous knowledge to apply to co nservation and development of the production process. For the current conditions and problems, t he production has complicated stages. People of the new generation are not interested in cloth-weaving culture. Conclusion: Isan silk-cloth identity had different backgrounds in each local area, the produ ction processes are not similar to each other. For all these, it has generated from adherence to culture, application of indigenous to conservation and development of the production process wit the purpo se to be the identity of each specific group.

Highlights

  • Silk cloths are creative art, generated by humans using silk threads to weave together to make into cloth pieces for wearing and to invent clothes and household objects

  • A variety of production processes were developed such as khit-pattern making, chok-pattern making, tho yok-pattern making, luang making or ko making and mat mi-pattern making

  • Saket mat mi-patterned silk cloths are popular in the Roi Et Thai-Lao ethnic group; phrae wa sikl cloths are popular in the Kalasin Phu-Thai ethnic group and yok thong phan takro thaep-patterned silk cloths are popular in the Surin Thai-Khmer, ethnic group

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Summary

Introduction

Silk cloths are creative art, generated by humans using silk threads to weave together to make into cloth pieces for wearing and to invent clothes and household objects. A variety of production processes were developed such as khit-pattern making, chok-pattern making, tho yok-pattern making, luang making or ko making and mat mi-pattern making. All these makings are to create different patterns as imagined by each producer. The patterns invented on the pieces of cloth are marks indicating ethnic groups. Saket mat mi-patterned silk cloths are popular in the Roi Et Thai-Lao ethnic group; phrae wa sikl cloths are popular in the Kalasin Phu-Thai ethnic group and yok thong phan takro thaep-patterned silk cloths are popular in the Surin Thai-Khmer, ethnic group. The production processes for the silk cloths as mentioned have been

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