Abstract
This paper presents a process of analysis that has been developed via a practice-based, autoethnographic study of the processes of popular electronic music composition. The mediating effects of the tools of the music-maker are examined from an Ecological Approach to Perception (EAP) perspective, with particular reference to the theory of affordances. Concepts from Actor-Network Theory, such as nonhuman agency and translation, are used to build a framework that conceptualises how these mediating effects impact the processes of composition.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
