An Analysis of the Conceptual Function of Facing the Sea with Spring Blossoms

Abstract

Since Facing the Sea with Spring Blossoms has attracted widespread attention, many scholars have formed four interpretations from various perspectives, namely: the poem conveys the love of life and the pursuit of happiness; the poem is a deathbed poem, expressing the poet's despair of earthly life; the poet is a sad and bitter soul in pursuit of happiness; the poem is the poet's choice between “existence or destruction.” Poetry is the poet's choice between "existence or destruction," and he finally chooses to give up earthly happiness. Systemic functional grammar was founded by Halliday, who believed that language has three meta-functions: conceptual function, communicative function, and textual function, which are linked to the transitivity system, mood system, and thematic system. Since its inception, Systemic Functional Grammar has been applied to many text analyses, demonstrating its powerful interpretative power. Guided by this theory, the author conducted a conceptual-functional analysis of Facing the Sea with Spring Blossoms and found that there are 25 processes in the poem, including nine material processes, five mental processes, six relational processes, three verbal processes, and two existential processes. The author analyzed the three types of processes that are more typical in this poem and drew the following conclusions: first, happiness is an important theme for the poet; second, the poem is opened by me (the poet) choosing between two kinds of happiness; third, the poet finally chooses non-earthly happiness, i.e., “I only wish to face the sea, with spring blossoms.”