Abstract

Upon returning from Ceylon in 1911, where he had served for nearly eight years as a colonial bureaucrat, Leonard Woolf resigned his post in the colonial service and married Virginia Stephen, eventually settling down with her in their home, Monk's House in Sussex in 1916. Along with Virginia and Vanessa and their Cambridge friends, Leonard Woolf established the new Bloomsbury Group as the center of a liberal aesthetic and intellectual culture fashioned after the tradition inherited from the late Victorians. During this pe riod Leonard Woolf wrote his novel The Wise Virgins (1914), and a novel and three short stories based on his experienced in Ceylon, The Village in the Jungle (1913) and Stories of the East (1921). Woolf's five-part autobiography was to appear much later in the 1960s. Despite the growing body of scholarship on Bloomsbury, Leonard Woolf's fiction has been of peripheral interest to literary scholars. The Wise Virgins remains his most widely discussed literary work, mainly because of its portrayal of the troubled relationship between Virginia Woolf and her sister Vanessa Bell.1 Praised by Quentin Bell as a novel of su perbly dispassionate observation, but also reviled as a work with too many blacks in it2—this was the reason Lytton Strachey offered for not liking it— The Village in the Jungle was largely ignored by scholars. It was only during the 1960s, nearly fifty years after its first appearance in 1913, that scholars from South Asia recognized the novel as a significant social document about colo nial Ceylon. As for Stories of the East, it failed to generate any interest during Woolf's lifetime, and Woolf's contemporary Bloomsbury friends and peers, who had on other occasions been eager to express their personal views on his work, remained silent about this work. Modern critics seem largely to be un aware of its existence, and despite its republication in 1963 in Diaries in Ceylon

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