Amitav GhoshGun Island

Abstract

peasant girl who becomes an inspiring soldier), Aster (a woman of noble birth who knows the worth of women), and Fifi (the woman who consorts with Italian officers to learn their strategies). The women want to do more than bear children and be comforts to soldiers; they desire to fight side- by-side with the men. In other words, they want to be more than what the world expects of them. By turns, the brutality and savagery of the war is exposed. The aggression of men is interrogated, and the hope rendered by a shadow king (while the Emperor Haile Selassie is in exile in England) permeates the action of an army that is deemed no match for the Italians. Of equal note is the portrait of the male characters fully drawn and complicated by their motivations: Ettore (the Jewish photographer/solider), Kidane (the leader of the Ethiopian resistance), and Carlos Fucelli (the merciless leader of the Italian forces). This is an amazing novel. It employs elegantly simple prose, the power of metaphor , and marvelous insights into human behavior. Its historic undertones provide insights on Ethiopia today, and like many other contemporary African women writers , Mengiste performs art. Adele Newson-Horst Morgan State University Amitav Ghosh Gun Island New York. Farrar, Straus and Giroux. 2019. 320 pages. Amitav Ghosh’s latest novel, Gun Island, traces familiar crosscultural patterns evident in his earlier novels. There are journeys by land and water, diaspora and migration, experiences aboard ships, the world of animals and sea-creatures. Ghosh foregrounds environmental issues like climate change and the danger to fish from chemical waste dumped into rivers by factories, concerns that carry over from earlier books like The Hungry Tide and The Great Derangement. Gun Island describes the quest of Deen, a scholar and collector of rare books, who returns from New York, his city of domicile , to the Sunderbans in West Bengal to unravel the mystery and legend of a seventeenth -century merchant, Bonduki Sadagar , translated “The Gun Merchant,” and his persecution by Manasa Devi, mythical goddess of snakes. In a talk held in New Delhi after the release of the novel, Ghosh stated that the merchant “was a trope for trade.” The merchant and the goddess dramatize “the conflict between profit and the world.” In the novel, the goddess pursues the merchant to make him aware of other realities like the animal world: “Humans— driven, as was the Merchant, by the quest of profit—would recognize no restraint in relation to other living things.” We learn that the old Arabic name for Venice was al-Bunduqevya, which is also the name for guns. Deen concludes that the name Bonduki Sadagar did not perhaps mean the Gun Merchant but the Merchant who went to Venice. When Deen travels to Venice to research further on the Gun Merchant, he discovers that many Bangladeshis are being employed as illegal migrant labor. Their hazardous journey across the Middle East and Africa and the strong, even militant opposition to their presence in the city by Italian authorities form a major segment of the second part of the novel, contrasting with the Gun Merchant ’s past, prosperous journey to Venice. Women are a stronger presence and force in the novel than in Ghosh’s earlier fiction. Cinta is a scholar from Venice working on the role of Venice in the medieval spice trade from India. Piya Roy, the cetologist from The Hungry Tide, reappears in this novel and offers the aging, lonely Deen hope of a romantic partner. Nilima Bose runs the Badabon Trust, an effective charitable organization, and Lubna is a Bangladeshi immigrant working for the cause of illegal immigrants. In depicting a wide range of diverse characters from various countries and subtly invoking myth and history, fact and fiction, Ghosh has created a work that contrasts nostalgia for a lost past with concerns for the contemporaneous. Rita Joshi Lady Shri Ram College for Women, Delhi University Books in Review 98 WLT AUTUMN 2019 ...