Abstract
A glance at Ada Salas’ poetry (Cáceres, 1965). Her literary personality revitalizes an aesthetics conceived as research and knowledge that veils the autobiographical narrative and justifies the essential thrust of language and its transcendent dimension. The journey assumes from the beginning of a personal approach, a unique proposition without generational debts and it has a unitary and continuous structure that reflects on the identity and light observation of the environment.
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