Allegory as A Linguistic Technique in The Tatar Poetry in the 1920s-1950s

Abstract

The article concentrates on studying one of the linguistic techniques called allusion technique in Tatar poetry at the background of traditional symbols semantic transformation in Tatar poetry in the 1920s-1950s. While exploring the topic, it is argued that Tatar poets turned symbol images traditional for the national literature into spokesmen for the anti-ideological position. The objective of the study is to explore the allusion technique via a prism of image symbols crosscutting for the national literature as a system of nominations based on Tatar poetry in the 1920-1950s. The scientific novelty is determined by a different approach to exploring the allusion technique: the study focuses on applying the symbol as a structure-forming component. Under the review, namely, symbols are proved to act as structure-forming components and are perceived as a possibility to change artistic paradigms, update an ideological and philosophical depth, and ambiguity. It also provides a possibility to double read the text and national traditions of Tatar poetry.