Abstract
The synthesis of mechanical ideas and forms with the organic has long been central to the Surrealist project. Famed for his work on the 1979 film Alien, Swiss artist Hans Ruedi Giger epitomises this approach – as supremely demonstrated by his biomechanoid Museum Bar in Gruyéres, Switzerland. Guest‐Editor Neil Spiller takes us on a Surrealist‐inspired journey around it.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
