Abstract
Computation has played a notable role in contemporary performance, a trend that has paired with the emersion of intermediality. A look at a few historical examples along with an evaluation of more recent research suggests that the notion of algorithm may provide a new approach to the dichotomy between media and performance. From the systems that aim to facilitate the interoperability of content in performance to the seminal distinction between content structures and control structures, it is possible to foresee a new perspective on the relation between algorithms and drama.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
