Abstract
espanolEl presente articulo busca efectuar un examen conjunto de la obra del poeta espanol Fernando de Herrera (1534-1597), maximo representante de la Escuela Sevillana y anticipador del espiritu barroco, y del poemario Al bello aparecer de este lucero (1997a [1983]) de Enrique Lihn (1929-1988), en funcion del analisis de la metatextualidad que subyace en la produccion de ambos autores y que permite la configuracion de una poetica afin, manifestada por medio de la estetica manierista-barroca y el dilema amoroso, este ultimo como clave central a traves de la cual se busca dar cuenta de una problematica metadiscursiva asociada a la comprension critica del fenomeno poetico y a la imposibilidad de su revelacion, lo que es representado por una serie de dispositivos simbolicos: el lucero, la amada, la imagen, la belleza, la escritura y la memoria. EnglishThe aim of this article is to examine the works of the Spanish poet Fernando de Herrera (15341597), leader of the Sevillian School of poetry and early advancer of the Baroque spirit, and the book of poems Al bello aparecer de este lucero (1997a [1983]) by Enrique Lihn (1929-1988), in order to analyze the underlying meta-textuality in the poetic production of both authors. This meta-textuality enables the configuration of a common form of poetry, displayed through a Mannierist Baroque aesthetic and the dilemma of love. The latter predicament becomes the key through which both authors seek to explain a meta-discourse problem associated to the critical understanding of the poetic phenomenon and the inability to reveal it, thereby representing it through a series of symbolic devices: the daystar, the loved one, the image, the beauty, the writing and the memory.
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