Abstract

Over the course of his brilliant career Ajip Rosidi (b. 1938) has worn many hats: poet, playwright, novelist, researcher, translator, journalist, ethnomusicologist, biographer, publisher, editor and cultural bureaucrat. If I were to reduce these many activities to a single, over-arching program, his contribution might best be summarised as follows: quite early in his career he realised that contemporary nations rely for their distinctiveness on – amongst other things ‒ patrimonies that materi...

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