Abstract
This study examines the evolution of posthumans in novels and movies as a relationship between sex and love, focusing on Giorgio Agamben's Homo Sacer. Agamben tried to reveal the essence of life politics through the concept of Homo Sacer, which is, bare life. Bare life means only biological life in all living things that Aristotle divided into Zoe and Bios, and humans pursue the life of Bios, who live as a member of a community of society, politics, and culture beyond the life of Zoe. Artificial intelligence robots have only Zoe's life, deprived of their social and political life, Bios. With the development of technology, such AI has a more human appearance, emotion, intelligence, and ability than humans, and dreams of the realm of Bios pursued by humans. I analyzed the emotions and identity of humans and posthuman beings in the AI era, focusing on Rachel in Phillip Dick's novel, the movie Ex Machina's Ava, and David Mitchell's novel of the same name, Cloud Atlas' Sonmi-451. Female mechanical humans are creatures that have life but have no value for existence, and they become invisible others in oppression and governance, appearing as unfamiliar fears, that is, the uncanny. This study examined why humans pursue sexual relationships with machine humans through female AI's uncanny, whether it is possible to fall in love with them, and what it means for programmed AI to evolve on its own, control emotions, and use it to mock humans. As machines become more human-like, their uncanniness makes humans even more uneasy and fearful. If humans can no longer be distinguished from machines, it is necessary to redefine humanity to understand what makes us human. Only then, when the science fiction imagined becomes a scientific reality, can we truly live as humans.
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