Abstract
In “Gorilla, My Love,” Toni Cade Bambara’s Black girl narrator reverses the traditional adult gaze on the child to disrupt our taken-for-granted notions of childhood, adulthood, and their relations. Read through the lens of Sylvia Wynter’s poetics of being and becoming human and Avery Gordon’s utopian margins, this story serves as a counter-narrative to that of the hegemonic child and inspires new narratives as part of enacting liberation. Through Hazel’s unruly resistance against capital, white supremacy, and patriarchy, Bambara recuperates the alterity of childhood in a way that reveals the joy and revolutionary transformation lurking in the present.
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