Abstract
AcknowledgmentsIntroduction1. A Wide Array of Choices: Musical Influences in the 1920s2. Music in Early Synchronized and Part-Talking Films, 1926-19293. Toward a Sparse Music Style: Music in the 100 Percent Talkie, 1928-19314. Interlude: The Hollywood Musical, 1929-19325. Music and Other Worlds: The Hollywood Film Score, 1931-19336. Reassessing King Kong or, The Hollywood Film Score, 1933-1934ConclusionAppendix: Chronological Filmography, 1926-1934NotesBibliographyIndex
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