Abstract
This paper draws on and develops a range of concepts and methodologies from ‘more-than-human’ and animal geographies to map some embodied historical geographies of elephant hunting in mid-nineteenth-century Ceylon. It focuses in particular on the exploits of Samuel Baker and some of his contemporaries. The paper attends to the attachments, crossings and ethics that passed between hunted and hunting bodies to flesh out the colonial visions of these ‘seeing men’ of empire. It critically engages with existing work on hunting and colonial natural history by examining interwoven human and nonhuman experiences, exploring elephant hunting as a collection of embodied and co-evolutionary processes with complex material histories. Drawing out the importance of embodiment, affect and intercorporeal exchange the paper then reflects on the performance, epistemology and ethics of hunting practice and traces the role played by a code of sportsmanship in orientating and legitimating the ethical sensibility of hunting. In conclusion the paper details what is gained from this style of embodied historical analysis which unsettles any simple spatio-temporal territorialisation of (post-) colonial historical geographies.
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