Abstract

Table of Contents One: Stereomodernism And Amplifying The Black Atlantic Two: Sight Reading: Early Black South African Transcriptions of Freedom Three: Negritude Musicology: Poetry, Performance and Statecraft in Senegal Four: What Women Want: Selling Hi-Fi in Consumer Magazines and Film Five: Soul to Soul: Echo-locating Histories of Slavery and Freedom from Ghana Six: Pirate's Choice: Hacking into (Post-)Pan-African Futures Epilogue: Singing Songs Bibliography Notes

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