Abstract

Aflamencado practice in the contemporary piano perfoming

Highlights

  • Flamenco is a cultural phenomenon that dates back to the 5–6th centuries

  • In the contemporary piano art, the aflamencado phenomenon reveals a dual nature that depends on the basic level of interaction between cultures

  • Two fundamentally different models of pianism are formed – the academic and its flamenco variety adapted to the musical-linguistic canons

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Summary

Introduction

Flamenco is a cultural phenomenon that dates back to the 5–6th centuries. This artistic practice organically unites plastic, gesture, singing, word, instrumental play. Any phenomenon that is subject to the action of a set of these specific canons acquires formal, stylistic, genre qualities that indicate the cultural and artistic environment from which they originate. Any phenomena that fall into the gravitational field of the flamenco canons acquire the specific traits inherent in this culture. This assimilation of alien elements is defined by the concept of aflamencado (“one that acquires the characteristic features of flamenco”)

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