Affordances of form in stanzaic narrative poetry

B Mchale

doi:10.4102/lit.v31i3.57

Abstract

This article develops the notion that poetry is crucially distinguished from other forms of verbal art by its foregrounding of segmentivity, the spacing of language. If a measure is regarded as the smallest unit of resistance to meaning, measure determines where gaps open up in a poetic text. Poetry is, however, not only measured, but typically countermeasured and narrative in poetry can also be countermeasured against the segmentation that is specific to narrative. The present article investigates segmentivity in one particular type of narrative poem, namely poems in discontinuous stanzaic forms. The concept of affordances (referring to different potentials for use) is applied to the stanzaic form in Edmund Spenser’s “The faerie queene” (1590; 1596) and to the “ottava rima” stanza, as exemplified by Kenneth Koch’s postmodernist narrative poem, “Seasons on earth” (1960; 1977; 1987).

Highlights

In this article I pursue some further aspects of a topic I addressed in Beginning to think about narrative in poetry (McHale, 2009)
I argued there that poetry is crucially distinguished from other forms of verbal art by its foregrounding of segmentivity – the spacing of language
I adopt my notion of segmentivity, and the related notions of measure and counter-measure, from Rachel Blau DuPlessis and John Shoptaw, respectively

Summary

Introduction

In this article I pursue some further aspects of a topic I addressed in Beginning to think about narrative in poetry (McHale, 2009). Shoptaw neglects this possibility, it can be measured at the level of the stanza, as in the stanzaic narrative forms I propose to begin considering here.

Results

Conclusion