Abstract

This paper examines affective structures and power formations that are constructed,maintained or contested when the significance of the sexual imageryof paradise in the Qur’an is divided into sensual and spiritual. I take a fictionalstory by Mohja Kahf as an example of a Qur’an commentary that centresgendered and embodied experiences in the text, and contrast it with MuhammadAbdel Haleem’s commentary, who views the sexual rewards of paradiseas allegorical. Using affect theory, I will argue that allegorical interpretationslimit the affective efficacy of the sensuality of the text to their symbolic function,associating spirituality with a disembodied, hence transcendent masculinity.Kahf’s exegesis, however, shows that affect and meaning are not pre-given, butproduced in interaction with the text. I will conclude that configuring the textas sensual or spiritual is not due to any intrinsic or predetermined content, buta product of power relations.

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