Abstract

In this article I present my journey through the pedagogy of affection, starting from a conjuncture that made me pay attention, in the teaching of Psychology of Art, Contemporary Visualities and Arts-based Research at the Faculty of Fine Arts, to the entanglement between desire and pedagogical relations. From this crossroad, I consider pedagogical relations (inspired by Bernard Charlot, Elizabeth Ellsworth, Alfred Porres and Max van Manen) as part of an encounter between subjects and knowledge that affects the positions of students and teachers and challenges thedualism ‘them and us’. Desire (based on Gilles Deleuze and Jacque Lacan) emergesin pedagogical relations as an agency that needs to leave behind the obsession to reproduce and, mainly, to interpret, diagnose and classify the student. At this crossroad between pedagogical relations and desires, affects appear when an experience of encounter of subjectivities (how we know and narrate ourselves) and knowledge (how we link ourselves to what we know) takes place. To illustrate this entanglement of pedagogical relations, desire and affects, I present two examples connected with my roles of teacher and researcher. The first one links with an Arts- based Research course where teachers and students learn horizontally and differentially. The second one, focusing in a cartography make by a secondary school teacher to give an account of her learning path, is part of a larger research project "How do teachers learn: educational implications and challenges for social change". Both examples contribute to explore the notion of affection as part of a substantial change in the relationships around politics, research, and pedagogy.

Highlights

  • In this article I present my journey through the pedagogy of affection, starting from a conjuncture that made me pay attention, in the teaching of Psychology of Art, Contemporary Visualities and Arts-based Research at the Faculty of Fine Arts, to the entanglement between desire and pedagogical relations

  • I have not arrived at the affection turn and the pedagogy of affections from reading Spinoza (1677/1980), Hickey-Moody (2009, 2012, 2016), the chapters edited by Gregg & Seigworth (2010) and Bakko, & Merz (2015), or the conversations organized by Massumi (2015) among other authors

  • The opportunity I had to explore in detail the notion of pedagogical relationship was with Alfred Porres' doctoral dissertation

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Summary

Introduction

In this article I present my journey through the pedagogy of affection, starting from a conjuncture that made me pay attention, in the teaching of Psychology of Art, Contemporary Visualities and Arts-based Research at the Faculty of Fine Arts, to the entanglement between desire and pedagogical relations. This interweaving constitutes a pedagogical relationship, which reframes the traditional roles of teacher and student and makes visible some movements of affection that took place in the course of Visualities. Teaching Art Psychology, promoting art education projects in schools and paying attention to pedagogical relations, constituted a breeding ground in which an affective pedagogy, as a displacement of bodies and subjectivities, was already present, without giving it this name.

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