Abstract

Music is a universal language. Biripo music, even when restricted to a group of people in the Ikale/Ilaje/Apoi milieux, is an embodiment of the consciousness of the folks that combines the art of the people with entertainment as a major cultural thrust, achieving religious indoctrination, and entrenching ethical values in the environment. This paper attempts an analysis of the musical performance of Zeblon Omoranmowo entitled: word hangs loose and bursts (Oro Ma Se Dugbe Dugbe o Be o) through an examination of the subject matter, themes and analogies that may constitute veritable sources of conflicts to the larger society and internal disquietude to individuals. The paper explores the stage performance through an examination of the persona, competence, interaction, talent and reception. While relying on aesthetics as a tool of explication, the study unveils the response of the audience finding expression in dancing, clapping and offer of monetary gift to band members and concludes that the musical performance fulfils the yearning of the folks for entertainment.

Full Text
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