Abstract
Comme le peintre de la nouvelle de S. Lenz «L'heure allemande», l'A. s'inspire du modele de J. Eardley pour entreprendre un monologue sur le travail de l'historien des idees. Deplorant un manque de professionnalisme et un regard paresseux sur le monde, l'A. montre que l'historien des idees doit reinventer sa propre histoire a partir d'un regard innoncent.
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