Abstract

Dangdut Koplo music performances are favored and watched by the public. This is able to generate an aesthetic response of the audiences, which is shown by their behavior. This study aims to examine the aesthetic response of audience behavior of dangdut koplo music performances in Pekalongan. This research uses qualitative methods, data collection using observation, interview, and document study techniques. Data analysis procedures used data reduction, data presentation, and data verification. The validity of the data used is triangulation, data sources, and theory. The results showed that the aesthetic response in the audience behavior of dangdut koplo music performance in Kalirejo village, Talun, Pekalongan Regency had a positive response that led to behavior, such as (1) dancing with friends in groups or alone; (2) Menyawer (giving some money); and (3) notice the show schedule. Based on the research results, it can be suggested: (1) can broaden the insight and description of the development of music, especially dangdut koplo music in the present era, (2) can be taken into consideration how the impact of dangdut koplo on the behavior of dangdut koplo music performances.

Highlights

  • Dangdut music is a type of popular music and is the most phenomenal music genre in Indonesia

  • Dangdut koplo music performances are in great demand by all people, especially in Kalirejo Village, Talun, Pekalongan Regency

  • The dangdut music group that was formed in Pekalongan Regency continues to grow

Read more

Summary

Introduction

Dangdut music is a type of popular music and is the most phenomenal music genre in Indonesia. Dangdut comes from the acculturation of other nations’ music which came to Indonesia by combining several elements of musical genres, and they are Malay music, Gambus music, and Indian music (Wisnu, 2019). The combination of elements of Malay, Indian, and Gambus music makes dangdut have a strong appeal in the community. Dangdut music is very accepted by all levels of society and grows rapidly to all corners of the country because this music has a distinctive musical style and has a lyrical theme that is easy to memorize because it usually takes the theme of everyday events that occur in many communities (Benny, 2017). Dangdut koplo is developed in East Java. This was caused by the entry of jaipongan gendangan to East Java around the 1980s and developed in music

Objectives
Methods
Results
Conclusion
Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.