Abstract
This article aims to contribute to the recognition of Jane Addams' aesthetic reflections. Her reflections extended pragmatism by anticipating some themes of Dewey’s aesthetics and some of its current aesthetic derivations. Addams broke down the barriers that separated art and life with the practices at Hull House in which immigrants of different ethnicities and women had an active and leading part. She thus expanded the social meaning of some of the avant-garde art movements that influenced her, such as the Art and Crafts Movement, by trying to make aesthetic sensibility a part of the everyday life of Hull House’s neighbors. In this way, she anticipated current everyday aesthetics, but without diluting the artistic specificity. Art transfigures events through poetics, allowing us to transform our lives through the values that are the common heritage of humanity. In Addams, we find a social aesthetic that sheds light on some of the problems of contemporary theories, expands the considerations of the artistic movements of her time, and contributes to reflections on the vital importance of aesthetics.
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