Abstract
The purpose of this study is to analyze and theoretically substantiate the complex multidimensional value communicative system inherent in musical art in its dynamic movement and holistic form, to clarify its structure and functional formations, its main internal and external relationships, as well as to establish some ways of influencing the course of artistic processes in society, and, to a certain extent, clarifying the ability to manage them without invading them. It is shown that, for all the subjectivity of perception in the art of music, style favors the formation of conditions for objective value judgments and conclusions. The latter, in turn, form an informational thesaurus that influences the historical dynamics of public musical consciousness.
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