Aesthetic Enactment: Engagement with Art Evoking Traumatic Loss

Abstract

This article analyses audience responses to two creative works inspired by traumatic loss—the first, a performance presentation, recounting events from the author’s adolescence; the second, a short film about a suicide in the filmmaker’s family. Both were shown in 2017 as part of a mental health arts festival, attracting audiences with affinity for the lived experiences portrayed. Given the potential for such works to give rise to negative feelings and/or to retrigger trauma, the objective of this research was to understand firstly whether audiences could process the trauma conveyed in a contained and facilitative setting and, secondly, how the specific aesthetic modality of each work supported this processing. The psychosocial methodology adopted consisted of a group-based, image-led associative method—the visual matrix—which invites participants to express their sensory-affective and felt responses to a creativework. In the case of both works, the visual matrix gave rise to a distinctive form of aesthetic enactment, expressed through rhythm and image association. This imagistic and ‘rhythmic’ mode of engagement appeared to be key to the re-symbolisation of trauma for the audiences. The implication of this study is that the re-visiting of potentially distressing experiences in an aesthetically mediated, containing setting is potentially reparative in its effect.