Abstract
Abstract The contribution examines the aesthetic aspect of cognition in Kant by exploring the central function of the power of the imagination (Einbildungskraft) in Kant’s critical epistemology, first featured in the Critique of Pure Reason (1781; 1787) and revisited in the Critique of the Power of Judgment (1790). First, the focus will be on the relationship between the power of the imagination and the two main sources of (theoretical) cognition in Kant, viz., sensibility and the understanding. Second, special attention will be devoted to the distinction between schema and symbol, as alternative products of the power of the imagination in the service of rendering discursive concepts intuitive – with schemata serving to make sensible the concepts of the understanding (Verstand) and symbols suited to provide intuitional counterparts to the concepts of reason (Vernunft).
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