Abstract

This paper focuses on Karamzin’s depiction, in Letters of a Russian Traveler, of Abbé Miolan’s failed hot air balloon flight in Paris in July 1784. After briefly tracing the history of aeromania in late eighteenth-century France and England, as well as its contemporary Russian reception, notably by Catherine the Great, the paper identifies Karamzin’s sources of information on the event and analyses the reasons why the Russian writer mentioned it in his travelogue. It demonstrates that Karamzin’s depiction of a physical experiment embodying European capacity for innovation in the late eighteenth century was not an expression of scientific curiosity. Instead, the young writer used the episode as a metaphor of social and political management, in order to reflect on the questions of social autonomy and the relation of the enlightened public with State power in both France and Russia. By depicting Miolan’s failed flight as a condemnable nuissance to public order, reminiscent of the revolutionary trouble he had witnessed during his journey through France, Karamzin showed his endorsement of Catherine’s conservative conception of the Enlightenment. By depicting how the French public sphere dealt with Miolan and possibly implicitly comparing it with the way Catherine had dealt with Radishchev, he nevertheless showed the superiority of self-regulation over political violence in managing the nobility’s growing longing for autonomy.

Highlights

  • A “sentimentalist Bible”[2] for its first readers, Nikolai Karamzin’s “Letters of a Russian traveler” was a source of information on Western innovation, and as such an important tool of cultural transfer and intellectual modernization in Russia

  • This paper focuses on Karamzin’s depiction, in Letters of a Russian Traveler, of Abbé Miolan’s failed hot air balloon flight in Paris in July 1784

  • By depicting how the French public sphere dealt with Miolan and possibly implicitly comparing it with the way Catherine had dealt with Radishchev, he showed the superiority of self-regulation over political violence in managing the nobility’s growing longing for autonomy

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Summary

Introduction

A “sentimentalist Bible”[2] for its first readers, Nikolai Karamzin’s “Letters of a Russian traveler” was a source of information on Western innovation, and as such an important tool of cultural transfer and intellectual modernization in Russia. Were the “Letters,” a vehicle for technology transfers as well? In order to address this question, this study will focus on how Karamzin, as a Russian nobleman traveling abroad, reflected on aeromania, a new phenomenon, closely linked with the concept of innovation and the cultural mechanisms of technology transfers. In order to do so, this study will first briefly recall the history of aeromania in France and Britain in the 1780s, its contemporary reception in Russia, before focusing on a brief episode in “Letters of a Russian Traveler” involving two anecdotes on the pitiful

This paper was originally presented as a talk at the “Constructing Europe
Aeromania in the 1780s and its Reception in Russia
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