Abstract
The research aims to identify the artistic representation in the advocacy discourse, especially the one that came from the Prophet’s guidance in Surat An-Naml, as it carries the sensory significance represented by the spiritual education of fidelity and the kinship. And the moral significance is in finding the right path to the righteous truth to the moral depiction of human values of praise and thanksgiving to God, Lord of the Worlds. The study followed the analytical descriptive method which is based on mentioning the Qur’anic verse and showing its artistic pictorial features. The results revealed that imagining is the preferred tool to express the standard of moral criticism to highlight the realism of the spiritual and human values of the Qur’anic stories in the light of Surat An-Naml. The study recommends the establishment of comprehensive research in the field of the propagandistic rhetorical miracles of the Holy Qur’an that deals with the verses from a rhetorical perspective of the miraculous claim and directing scholars to study its structures and clarify its secrets.
Highlights
The research aims to identify the artistic representation in the advocacy discourse, especially the one that came from the Prophet’s guidance in Surat An-Naml, as it carries the sensory significance represented by the spiritual education of fidelity and the kinship
The moral significance is in finding the right path to the righteous truth to the moral depiction of human values of praise and thanksgiving to God, Lord of the Worlds
The results revealed that imagining is the preferred tool to express the standard of moral criticism to highlight the realism of the spiritual and human values of the Qur’anic stories in the light of Surat An-Naml
Summary
The research aims to identify the artistic representation in the advocacy discourse, especially the one that came from the Prophet’s guidance in Surat An-Naml, as it carries the sensory significance represented by the spiritual education of fidelity and the kinship. فيكون الخطاب أوقع في،التصوير القرآني هو الذي يعبر عن المعنى الذهني بالصورة المحسوسة المتخيلة ودراسة التصوير الفني في القرآن الكريم تقوم على إدراك التصوير.النفس وأقوى في التأثير وأدعى إلى القبول حيث. أم طبيعيا أم سرديا،والتمثيل والتشبيه في الآيات القرآنية وكيفية رسم الآيات لمشاهد ما سواء كان نفسيا
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