Abstract

Patronage of travelling performers by English kings seems to have been one way of displaying royal power, prestige, and status. Beginning with Edward IV and continuing through Henry VIII, queens and royal offspring also gave their names to travelling performance troupes. Chronologies of the travelling troupes of queens and royal offspring suggest that during the reign of Henry VIII, as queens and heirs presumptive changed, one likely purpose of these troupes was to advertise and legitimize the status of their royal patrons.

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