Abstract

The media representations of the terrorist attacks of September 11 in the United States and their aftermath bear strong similarities to the media coverage of ‘Lebanese youth gangs' over the last few years — both rely significantly on the metaphor of war. This paper explores two media narratives about Lebanese youth gangs which draw on this metaphor — the first deploys a simple us/them structure which, like the dominant Western reportage of the terrorist crisis, turns on a form of moral reduction in which the forces of good and evil are relatively clear. The accumulated imagery of Lebanese gangs, drugs, crime, violence and ‘ethnic gang rape’ articulates a dangerous otherness of those of Arabic-speaking background — echoed in the coverage of the terrorist ‘attack on America'. This simple narrative, however, gives way to a second, emerging narrative about Lebanese youth gangs which also relies on the metaphor of war but acknowledges the moral duplicity of both ‘combatants' — registering the culpability of the state and its police service but distancing ‘the ordinary Australian ‘from this culpability. The second narrative, like the first, tries to recuperate a moral innocence for the ‘ordinary Australian’, but in doing so underlines a crisis in Australian multiculturalism.

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