Actors who can’t play in the sports film: exploring the cinematic construction of sports performance

Abstract

The sports film often focuses upon character psychology and narrative in the cinematic capturing and construction of sport and sports performance. However, the limited attention given to the role of the actor’s body threatens to compromise this seamless dramatic structure of the narrative, not to mention viewer identification with the protagonist, thus leading to inadequate sporting technique that fails to achieve verisimilitude. This paper looks to address the limitations in the actor’s bodily performance, by rethinking the relationship between the actor’s physical portrayal and their cinematic construction. I argue that cinematic techniques should function as an extension of the actor’s body, thus creating a more seamless fusion between the two. Adopting such a method would facilitate a more heightened representation of sports performance, while contributing to the unfolding of the plot through the bodily interactions between the actors during the spectacle of sports sequences.