Actor-authors of the Commedia dell'arte: The Dramatic Writings of Flaminio Scala and Giambattista Andreini

Abstract

In 1880, the first modern editor to publish a collection of commedia dell'arte scenarios noted, not without surprise, that ‘the earliest professional actors were almost all writers as well’. ‘Almost all’ is perhaps an exaggeration. Yet the literary production of comic players, and particularly that of the second and third generation of actors, is impressive for its quantity as well as its variety. It ranges from Giovan Paolo Fabbri's Capitoli alla Carlona and Adriano Valerini's historically important essay on the beauties of Verona, to the Rime of Isabella Andreini, in which she established a dialectic connection between the art of writing and that of the theatre:If you will read one daymy neglected verses, don't be taken in bythese feigned ardoursI am used to playing in dramatic love sceneswith such insincere passionswith lying and mock expressions.I unfold the Muses' high furoressometimes weeping in false sorrowsometimes singing with false pleasure.