Abstract
The article examines how energetically and biomechanically-based aesthetics, reception theories, and political ideas could inform, or inspire, leftist visual and poetic representation and choice of style in Hungarian modernism during the 1918–19 political upheavals, as a response to modern technology's effects. In connection to these views, the article also reconsiders the political ambiguities of Bortnyik's art in relation to Hungarian anarchism.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
