Abstract
Abstract: This study analyzes the trajectory and stage productions developed by the Argentine theatre director Jaime Kogan between 1967 and 1980. A unique example of the dynamics that directors assumed in the late sixties, the first phase in the production of Kogan and the Equipo Teatro Payró (ETP) took place in a context of enormous political, social, and cultural turbulence. Beyond the alternation between constitutional governments and authoritarian regimes, the period in question includes diverse phenomena that revolve around the same historical process, which is characterized by increasing state violence. In this context, we observe how the transformations in the Kogan's directorial work reveal diverse modes of "micro-political" intervention.
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