Abstract

This article examines the connection between actions, temporality, and media-based observation. Slow motion technology is currently being used especially in sports to examine and evaluate athletes’ actions more precisely in order to identify potential infringements of rules. Starting with a phenomenological perspective, this article engages in a critical assessment of the degree to which the intentions underlying athletes’ actions become clearer if their actions are slowed down using slow motion. It transpires that a more in-depth understanding is not possible because the process of time-stretching using media technology tends to obscure intersubjective understanding. Nevertheless, the use of different playback speeds does increase observers’ sensitivity to the temporality of action and observation. This is particularly the case when greater emphasis is placed on the body and its role in the formation and carrying out of intentions. With the phenomenological view and in special consideration of the body and the subjective intentionality, the paper contributes to a discussion about the connection of time and (inter-)action already led in ethnomethodology and conversation analysis. These findings mark a contribution to empirical social research as well, which is increasingly using video material in action analysis and should take slow motion as a possible augmented but also manipulated access to actions into account adequately. To this end, this article suggests a method for identifying the merits and demerits of using slow motion to analyse actions, and discusses the methodological implications of temporality in observation.

Highlights

  • It is the 2018 World Cup Final between France and Croatia in the Luzhniki Stadium in Moscow

  • Slow motion does not slow down actions, it stretches out the period of observation and its associated scope for interpretation

  • Kissmann’s (2014) video analysis is an example showing that these approaches are not mutually exclusive; Knoblauch and Schnettler (2012) stress that videography contains hermeneutic analysis

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Summary

Introduction

It is the 2018 World Cup Final between France and Croatia in the Luzhniki Stadium in Moscow. In the 34th minute, France are awarded a corner kick. France take the kick and the ball passes just a few metres from the goal. Blaise Matuidi turns towards the ball and it glances off his head and upper arm. The ball continues on to Ivan Perišić, who is standing half a metre or so behind Matuidi. The ball touches Perišić on the underside of his wrist and goes out of play behind the goal line. The head referee reviews the situation using video footage and awards a penalty to France, which Antoine Griezmann scores to restore France’s lead.

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