Abstract

Familiar accounts of the intellectual origins of performance theory downplay the ideas inherited from Durkheimian and Marxian social theory by way of British social anthropology. Structural functionalism as taught by A.R. Radcliffe-Brown and the Marx-inflected social anthropology of Max Gluckman are key but underappreciated junctures between classical social theory and performance theory. This lineage helps explain the ongoing tension in performance theory regarding the role embodied communicative action plays in maintaining or altering social order. It also casts new light on the use of the language of “action” and “event” to describe performance phenomena.

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