Abstract

Designing a vineyard hall is generally considered as more challenging and time consuming than designing a shoebox hall. Acoustics design of a moderately large vineyard hall was investigated by computer simulation regarding both the audience and the performers. Alternative schemes with orthogonal and splayed terraces were developed with design strategies featuring seating arrangement, wall inclining, ceiling pitch, recess of remote side seating, wall splaying, riser slope, and railing arrangement. Low correlations among most acoustical measures indicated the potential for setting diverse design goals. Optimized schemes with a frontal terrace increased high-frequency components of a voice source by nearly 2 dB for the seats surrounding the stage while confined spatial decay of strength and sustained early decay were achieved. Lateral energy fraction was mainly determined by inclination and splaying of the terraces and side walls. Without significantly affecting energy distribution for the audience, layouts ...

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call