Abstract

The acoustical design of spaces for surround sound music production raises issues concerning room size and shape, loudspeaker placement, and placement of sound-absorbing and sound-diffusing finishes that require different solutions than for 2-channel stereo listening environments. Design and construction of a new room for multichannel audio, rather than renovating a room originally conceived for a 2-channel stereo loudspeaker system, presents an opportunity to address the issues from first principles. This paper presents a case study of the design, construction, and commissioning of a new audio control room for multichannel classical music recording, and discusses unique solutions to the critical issues for these listening environments. The use of a computer model as a design tool and in situ measurements in the completed room are also discussed.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call