Abstract

The aim of this paper is to study the different manifestations of the dance practice of the Gagaouz of Inoi of Evros as tactics in search of their ethnic identity. In particular, with reference to the analysis of the main dance of the repertoire of the Gagaouz and all of Thrace, Zonaradikos or Omouslamas and based on the fluid nature of identity formation, this paper aims to investigate the attitudes with which members of this ethnic group, as subjects of social action, self-identify, construct and reconstruct their ethnic identity, depending on the circumstances, each time belonging to different ethnic groups. Data was gathered through ethnographic method as this is applied to the study of dance, while its interpretation was based on the theoretical perspective of constructivism under the analytical terms of "acculturation" according to the multicultural model proposed by Berry. From the data analysis, it is showed that the Gagaouz, through dance, choose on the one hand to have a Thracian ethnic identity and on the other Gagaouz ethnic identity and on a third level they identify themselves as Thracian Gagaouz, experiencing a social reality which seeks to have multiple identities at the same time.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.